Art, graffiti or criminal damage?

BoogieBoogie Heaven Host
Or maybe criminal damage if a valuable work of art?

What do you think?

https://www.bbc.co.uk/news/articles/cm2z30p033ro.amp Link to BBC News article.
A mural by the street artist Banksy is being removed from the wall of a court building in London.

The mural appeared on an external wall of the Queen's Building, in the Royal Courts of Justice complex, on Monday.

The image depicted a protester lying on the ground holding a blood-spattered placard while a judge, in a wig and gown, looms over him, wielding a gavel.

The work has been covered up at various points since it was discovered and guarded by security staff, with the HM Courts & Tribunals Service confirming that it would be removed due to the building being listed and therefore legally protected.

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Comments

  • If we accept that it's art and therefore has a special status that protects it from scrubbing, do we apply that to every political mural that gets put up on a courthouse, regardless of the ideology?
  • stetson wrote: »
    If we accept that it's art and therefore has a special status that protects it from scrubbing, do we apply that to every political mural that gets put up on a courthouse, regardless of the ideology?
    And even if it is art, does that mean that the artist had the right to place his or her art on the property of another, or that the owner of the property is charged with an obligation to maintain the art they didn’t give permission to be put there?

    I would argue that to the extent it is art, it is art of an ephemeral nature, and it has to be presumed that the artist painted it on the property of another with the understanding that it would not be a permanent work of art, that its artistic value lay as much in the discussions and reactions it would prompt as in the work itself, and that its removal should not only be expected but serves the artistic of goal of generating discussion.


  • MMMMMM Shipmate
    I’m most offended that the judge is wielding a gavel. Judges in England do not use gavels!

    For that reason alone it should be scrubbed off.


    MMM
  • Not mutually exclusive. Something can be all three.
  • BoogieBoogie Heaven Host
    In the UK law doesn't distinguish by aesthetics: The law doesn't recognize "aesthetic value" as a defense for unauthorized graffiti. Even art that appears to be of high artistic merit or monetary value is still considered criminal damage if done without permission.

    But a blind eye is often turned - especially with Banksy. Or the owner has the work carefully removed and sells it.

    A blind eye is often turned for tourism or other reasons. Belfast City Council has approved plans to create legal graffiti walls to provide spaces for artists to practice their craft without legal consequences. But the illegal work is not removed for tourism and political reasons.

    Brick Lane in London is another example of a blind eye being turned by authorities - but not by other street artists, don't tread on their toes!

    Here is an interesting blog post - https://strawberrytours.com/everything-you-need-to-know-about-londons-street-art-scene



  • BoogieBoogie Heaven Host

    "If graffiti changed anything, it would be illegal" Banksy.

    Of course he knew the work on the courts would be removed. That's why he did it.
  • I'm not entirely sure what the message was supposed to be - it isn't the judges who are writing the laws or beating protestors. As far as I know none of the recent protestors arrested holding cardboard signs have been imprisoned.

    Also British judges don't use gavels.

    I can't help thinking that Mike is creating publicity for himself once again to ensure that his value continues to ascend. Maybe that's a bit cynical, I just don't see that this kind of art really adds anything to the cultural conversation.
  • Alan29Alan29 Shipmate
    I'm not entirely sure what the message was supposed to be - it isn't the judges who are writing the laws or beating protestors. As far as I know none of the recent protestors arrested holding cardboard signs have been imprisoned.

    Also British judges don't use gavels.

    I can't help thinking that Mike is creating publicity for himself once again to ensure that his value continues to ascend. Maybe that's a bit cynical, I just don't see that this kind of art really adds anything to the cultural conversation.

    I think of his stuff as art for people who really don't know about art, but enjoy being stroked by a message they agree with. And I don't think that being famous gives anyone carte blanche to scrawl over someone elses roperty.
  • BoogieBoogie Heaven Host
    You can go on Bristol street art tours.

    "Explore the latest street art and celebrate Bristol's unique creative culture, where the walls change weekly."

    A lot of the work is excellent - especially work by Nick Harvey aka Kin Dose or Kin One (Same person).

    We live half an hour from these walls yet we aren't even allowed to paint our walls the 'wrong' colour. My friend wanted to paint her house a slightly different shade of pale pink and had to seek written permission.
  • Baptist TrainfanBaptist Trainfan Shipmate
    edited September 11
    Presumably her house is listed and/or in a conservation area?

    She should go to live in Aberaeron, famed for its colourful buildings (and a lovely place to visit): https://tinyurl.com/4zb69cjj

    Tobermory is another possibility ...
  • Alan29 wrote: »
    I'm not entirely sure what the message was supposed to be - it isn't the judges who are writing the laws or beating protestors. As far as I know none of the recent protestors arrested holding cardboard signs have been imprisoned.

    Also British judges don't use gavels.

    I can't help thinking that Mike is creating publicity for himself once again to ensure that his value continues to ascend. Maybe that's a bit cynical, I just don't see that this kind of art really adds anything to the cultural conversation.

    I think of his stuff as art for people who really don't know about art, but enjoy being stroked by a message they agree with.

    Back when art was primarily funded by patronage that was a lot of art.
  • Alan29Alan29 Shipmate
    Alan29 wrote: »
    I'm not entirely sure what the message was supposed to be - it isn't the judges who are writing the laws or beating protestors. As far as I know none of the recent protestors arrested holding cardboard signs have been imprisoned.

    Also British judges don't use gavels.

    I can't help thinking that Mike is creating publicity for himself once again to ensure that his value continues to ascend. Maybe that's a bit cynical, I just don't see that this kind of art really adds anything to the cultural conversation.

    I think of his stuff as art for people who really don't know about art, but enjoy being stroked by a message they agree with.

    Back when art was primarily funded by patronage that was a lot of art.

    True.
  • BoogieBoogie Heaven Host
    edited September 11
    Presumably her house is listed and/or in a conservation area?

    She should go to live in Aberaeron, famed for its colourful buildings (and a lovely place to visit): https://tinyurl.com/4zb69cjj

    Tobermory is another possibility ...

    Yes, both. Hers is the pale pink house - https://photos.app.goo.gl/JbcgRdmGSzvXcgeb8

    I've been to Tobermory many times. We visited Mull every year when the boys were small. Aberaeron looks lovely.

    Our house isn't listed but I think Words would be had if I filled the outside walls with works of art.
  • MMM wrote: »
    I’m most offended that the judge is wielding a gavel. Judges in England do not use gavels!
    Also British judges don't use gavels.
    Hollywood notwithstanding, American judges rarely use gavels either, at least in my experience. I have been in a some appellate courts where the marshal will bang a gavel once at the beginning and again at the end of the formal opening of court (before “All rise” and after “God save the state/United States and this honorable court”). I frankly can’t ever recall a judge using one.


  • I saw something else in the Banksy graffiti; the victim with the placard looked subtly African or Middle Eastern and the judge had a very large nose -stereotypically Jewish?
  • peasepease Tech Admin
    I see it as satirical comment on the lawfulness of peaceful protest. As has been pointed out, it was positioned for effect, and from where it would be removed in short order. The inanity of the official reason for its removal is a bonus.
  • Leorning CnihtLeorning Cniht Shipmate
    edited September 11
    Boogie wrote: »
    Or maybe criminal damage if a valuable work of art?

    What do you think?

    https://www.bbc.co.uk/news/articles/cm2z30p033ro.amp Link to BBC News article.
    A mural by the street artist Banksy is being removed from the wall of a court building in London.

    First, I think if it's my building, I have the absolute right to maintain its exterior, which would include removing someone else's graffiti, regardless of how artistic that graffiti was.

    Second, if it's my building and you draw on it, you're the one engaged in criminal damage, regardless of how pretty your drawing is.
  • Question...

    Suppose I own a cafe, and Andy Warhol strolls by one day and, without permission, sprays a small stencil of Marilyn Monroe on my outside wall.

    Fantastic! Makes the place look good, brings in free advertising, shoots up the property value etc.

    A year later, Roy Lichtenstein comes by and, also without permission, sprays a small stencil of the worried girl on my wall. Man, things just keep getting better!

    Another year later, and some nobody in a lumber jacket comes by and does a third-rate stencil of Eddy The Head smoking a giant reefer on my wall.

    In whatever civil or criminal legal measures I might pursue against the heavy-metal hipster, would his lawyers be able to weaken my position by pointing out that I did not pursue similar measures against Warhol and Lichtenstein when they vandalized my wall?
  • stetson wrote: »
    Question...

    Suppose I own a cafe, and Andy Warhol strolls by one day and, without permission, sprays a small stencil of Marilyn Monroe on my outside wall.

    Fantastic! Makes the place look good, brings in free advertising, shoots up the property value etc.

    A year later, Roy Lichtenstein comes by and, also without permission, sprays a small stencil of the worried girl on my wall. Man, things just keep getting better!

    Another year later, and some nobody in a lumber jacket comes by and does a third-rate stencil of Eddy The Head smoking a giant reefer on my wall.

    In whatever civil or criminal legal measures I might pursue against the heavy-metal hipster, would his lawyers be able to weaken my position by pointing out that I did not pursue similar measures against Warhol and Lichtenstein when they vandalized my wall?

    For this reason, pay Warhol and Lichtenstein $1 each (or £1 or €1 or whatever) to make it a business transaction, get a receipt, then the Eddy artist can't claim favoritism.
  • I could be wrong, but haven't people been warned for removing Banksy art or adding to it? If so there is a legal principle that these are considered works to be treated with respect.
  • I’m not aware of any warnings that weren’t related to ownership (they are sometimes stolen). Interested parties, including councils, express condemnation of removal sometimes but they also sometimes remove them.
    I wonder if in this case there may be legal issues with a political artwork outside a law court, as well as the fact that this is a listed building so changes can’t be made to it without permission.
  • I don't give a monkeys who the artist is, Mike, Warhol, Lichtenstein or anyone else - if you paint my wall without permission I'm going to be mad.

    And if it is my wall I'm perfectly within my rights to wash it off. I don't care if people think Mike's stencils are worth millions.

    As an aside, there's an interesting thing about celebrity artists in our era. In the past many/most artists were either entirely anonymous or unrecognised in their era. Even the greats like Mondrian and van Gogh had trouble giving away their works during their lifetimes.

    Street and protest art is a whole other thing, particularly when it is mixed in with celebrity and wealth.
  • I was recently in a gallery in Zurich, which being Switzerland has many of the greats lined up together. They've got quite an extensive collection of pop and street art.

    It's a strange experience seeing it there. Warhol made lots of versions of his iconic soup based art, one of which is on a wall in a gallery in Switzerland.

    I do see that street art is best experienced on the street. There's some really interesting things to see in Barcelona and probably lots of other cities.
  • BoogieBoogie Heaven Host
    Sometimes councils collaborate with street artists.

    This one brightens up a drab wall and, hopefully, deters the scribbling taggers.

    https://www.northdevongazette.co.uk/news/home/1677858/ilfracombe-brightened-by-new-sea-themed-mural.html
  • stetsonstetson Shipmate
    edited September 12
    mousethief wrote: »
    stetson wrote: »
    Question...

    Suppose I own a cafe, and Andy Warhol strolls by one day and, without permission, sprays a small stencil of Marilyn Monroe on my outside wall.

    Fantastic! Makes the place look good, brings in free advertising, shoots up the property value etc.

    A year later, Roy Lichtenstein comes by and, also without permission, sprays a small stencil of the worried girl on my wall. Man, things just keep getting better!

    Another year later, and some nobody in a lumber jacket comes by and does a third-rate stencil of Eddy The Head smoking a giant reefer on my wall.

    In whatever civil or criminal legal measures I might pursue against the heavy-metal hipster, would his lawyers be able to weaken my position by pointing out that I did not pursue similar measures against Warhol and Lichtenstein when they vandalized my wall?

    For this reason, pay Warhol and Lichtenstein $1 each (or £1 or €1 or whatever) to make it a business transaction, get a receipt, then the Eddy artist can't claim favoritism.

    That would be a good idea, but my story assumed that I wasn't thinking about the long-term legal implications when the first two images were put up, and might not even have had any contact with the artists.

    It doesn't have to be famous artists, either. Just two images I like, a third I dislike, and does a failure to pursue legal action in the first two cases undermine my position if I pursue legal action in the third.
  • BoogieBoogie Heaven Host
    I imagine it would?

    Or you could just paint over the one you dislike. Or remove it and sell it for a fortune. 🙂
  • Boogie wrote: »
    Sometimes councils collaborate with street artists.

    This one brightens up a drab wall and, hopefully, deters the scribbling taggers.

    https://www.northdevongazette.co.uk/news/home/1677858/ilfracombe-brightened-by-new-sea-themed-mural.html
    There is a fundamental difference between graffiti without permission and commissioned murals or other commissioned public art.


  • BoogieBoogie Heaven Host
    Nick Tamen wrote: »
    Boogie wrote: »
    Sometimes councils collaborate with street artists.

    This one brightens up a drab wall and, hopefully, deters the scribbling taggers.

    https://www.northdevongazette.co.uk/news/home/1677858/ilfracombe-brightened-by-new-sea-themed-mural.html
    There is a fundamental difference between graffiti without permission and commissioned murals or other commissioned public art.


    Indeed.

  • A Feminine ForceA Feminine Force Shipmate
    edited September 12
    Well, I'm an artist and so my POV would be something akin to smoking and sound ordinances.

    Our auditory and atmospheric environment is a shared resource. Anything you do that unnecessarily affects my health, that impinges on my right to avail myself of (relatively) clean air and the peace of mind and body that comes with a low decibel (within health norms) environment, is a form of antisocial behaviour.

    One might extend that POV to our visual environment as also a form of shared resource. At what point does your right to erect an ugly edifice impinge upon my right to a view that doesn't include your architectural posturing or lack of taste or lack of budget to implement your taste?

    We have enshrined property law as our god given right to own the land and express our individual or collective identites through the structures we build upon it. It's not just about the function of the creation, it's also about its location, form and ornament. Which is why the public is invited to comment on new constructions.

    If an edifice is owned by the people through the application of collected taxes, then who can say who has a greater right to embellish that edifice than those people?

    But this happened in England where feudal property laws and the rights of the Crown have precedence so, I guess until the republic rises, y'all are stuck with whatever you have, and Banksy gets scrubbed and jailed for damaging the Crown's property.

    AFF
  • Boogie wrote: »
    Or maybe criminal damage if a valuable work of art?

    What do you think?

    https://www.bbc.co.uk/news/articles/cm2z30p033ro.amp Link to BBC News article.
    A mural by the street artist Banksy is being removed from the wall of a court building in London.

    First, I think if it's my building, I have the absolute right to maintain its exterior, which would include removing someone else's graffiti, regardless of how artistic that graffiti was.

    In this case it's a public building, which moves it more into the category of 'street and protest art' as previously mentioned or indeed of 'non violent direct action'

    (Sidenote if it actually were a listed building, you would not in fact have an 'absolute right to maintain its exterior')

  • On the other hand, if he does a picture on a private building, they might chisel it off and flog it for a lot of dosh. Capitalism, eh?
  • But this happened in England where feudal property laws and the rights of the Crown have precedence so, I guess until the republic rises, y'all are stuck with whatever you have, and Banksy gets scrubbed and jailed for damaging the Crown's property.

    I think even in a republic, the right of an individual artist to put his unsolicited work on a courthouse and have it stay there is pretty thin.
  • BoogieBoogie Heaven Host
    Interestingly, the shadow left on the wall of the court after its removal is more poinyant than the original.

    The artist would have anticipated this, I think.
  • If an edifice is owned by the people through the application of collected taxes, then who can say who has a greater right to embellish that edifice than those people?
    But it wasn’t “those people” who placed the art on a public building. It was “a person.” For all we know, 99% of those people who can be said to own the edifice through the application of collected taxes didn’t want the artwork there.


    stetson wrote: »
    But this happened in England where feudal property laws and the rights of the Crown have precedence so, I guess until the republic rises, y'all are stuck with whatever you have, and Banksy gets scrubbed and jailed for damaging the Crown's property.
    I think even in a republic, the right of an individual artist to put his unsolicited work on a courthouse and have it stay there is pretty thin.
    Yep.


  • You can always buy a Banksy print, quite cheap.
  • A Feminine ForceA Feminine Force Shipmate
    edited September 12
    But it wasn’t “those people” who placed the art on a public building. It was “a person.” For all we know, 99% of those people who can be said to own the edifice through the application of collected taxes didn’t want the artwork there.

    For all we know.

    Banksy is an actual artist whose work sells for millions. I think the best way to find out if The People would like to retain the value added to the edifice is to ask them directly.

    After all, it's not like some teenage gang banger tagged the wall.

    I think such an important work is an issue worthy of a plebiscite.

    However, it is the ephemeral nature of street art to be temporary. To be scrubbed or overpainted. I doubt Banksy will care either way. I think if it's scrubbe it will say more about us than it will about him.

    AFF

  • BasketactortaleBasketactortale Shipmate
    edited September 12
    I can understand the confusion, but the court building isn't actually owned "by the people", it's owned by the court, which is part of a department of government.

    I'm sure people in America are supremely comfortable with, for example, graffiti on nuclear silos. Around here, you don't get to daub whatever you like on a public building just because you claim to be a representative of "the people" who own it.
  • A Feminine ForceA Feminine Force Shipmate
    edited September 12
    Like I said, it's the nature of street art to be temporary.

    If it's so offensive, why is such a big deal being made? Scrub it and move on, don't create a whole faux outrage imprison the artist snit out of it. Just about nobody would have known it was there if they scrubbed it without fanfare next morning.

    AFF

  • I'm sure people in America are supremely comfortable with, for example, graffiti on nuclear silos.
    Why are you sure of that?

    Around here, you don't get to daub whatever you like on a public building just because you claim to be a representative of "the people" who own it.
    You don’t get to do that in America either.

    Banksy is an actual artist whose work sells for millions. I think the best way to find out if The People would like to retain the value added to the edifice is to ask them directly.

    After all, it's not like some teenage gang banger tagged the wall.

    I think such an important work is an issue worthy of a plebiscite.
    If it’s worthy of a plebiscite (which I don’t think it is, and at least where I live in the US would likely be a legal impossibility), then it was worthy of a plebiscite to ask whether it should be painted in the first place.

    However, it is the ephemeral nature of street art to be temporary. To be scrubbed or overpainted. I doubt Banksy will care either way. I think if it's scrubbe it will say more about us than it will about him.
    I assume he counted on it being scrubbed. More publicity that way.


  • Boogie wrote: »
    Or maybe criminal damage if a valuable work of art?

    What do you think?

    https://www.bbc.co.uk/news/articles/cm2z30p033ro.amp Link to BBC News article.
    A mural by the street artist Banksy is being removed from the wall of a court building in London.

    First, I think if it's my building, I have the absolute right to maintain its exterior, which would include removing someone else's graffiti, regardless of how artistic that graffiti was.

    In this case it's a public building, which moves it more into the category of 'street and protest art' as previously mentioned or indeed of 'non violent direct action'

    "Non-violent direct action" is generally intentionally breaking the law in some non-violent fashion in order to draw attention to some cause or other. Very much like drawing on someone else's stuff.

    The fact that "someone else" here is a government body is irrelevant. I don't get to go and repaint the town hall just because I think it would be nicer a different color. The fact that it may be owned collectively by "the people" doesn't give an individual person the unilateral right to make alterations to it. There is no more an implied right for me to graffiti the town hall or police station than there is a right for me to graffiti my neighbor's house.
  • Boogie wrote: »
    Or maybe criminal damage if a valuable work of art?

    What do you think?

    https://www.bbc.co.uk/news/articles/cm2z30p033ro.amp Link to BBC News article.
    A mural by the street artist Banksy is being removed from the wall of a court building in London.

    First, I think if it's my building, I have the absolute right to maintain its exterior, which would include removing someone else's graffiti, regardless of how artistic that graffiti was.

    In this case it's a public building, which moves it more into the category of 'street and protest art' as previously mentioned or indeed of 'non violent direct action'

    "Non-violent direct action" is generally intentionally breaking the law in some non-violent fashion in order to draw attention to some cause or other. Very much like drawing on someone else's stuff.

    No, very much not like drawing on someone else's stuff, it's focused on a particular building and not on some random 'someone'.

    And sure, it's breaking the law, which I'm sure will be applied equally to all such graffiti.
  • Nick Tamen wrote: »
    I'm sure people in America are supremely comfortable with, for example, graffiti on nuclear silos.
    Why are you sure of that?

    Around here, you don't get to daub whatever you like on a public building just because you claim to be a representative of "the people" who own it.
    You don’t get to do that in America either.

    Banksy is an actual artist whose work sells for millions. I think the best way to find out if The People would like to retain the value added to the edifice is to ask them directly.

    After all, it's not like some teenage gang banger tagged the wall.

    I think such an important work is an issue worthy of a plebiscite.
    If it’s worthy of a plebiscite (which I don’t think it is, and at least where I live in the US would likely be a legal impossibility), then it was worthy of a plebiscite to ask whether it should be painted in the first place.

    However, it is the ephemeral nature of street art to be temporary. To be scrubbed or overpainted. I doubt Banksy will care either way. I think if it's scrubbe it will say more about us than it will about him.
    I assume he counted on it being scrubbed. More publicity that way.


    Irony.
  • No, very much not like drawing on someone else's stuff, it's focused on a particular building and not on some random 'someone'.

    Much like the people that like to chuck red paint over war memorials as part of their protest?
  • peasepease Tech Admin
    If you want to get your point across, getting people to treat sociopolitical comment and protest as having artistic value seems like a smart move. And getting the art market to treat your work as having financial value looks like a funding model. It works because of the way we tend to value art on the basis of who the artist is.

    Banksy often attests his creations when they go up, which in this case appears to have been on instagram, with the caption "Royal Courts Of Justice. London." I don't think there was ever any danger of it not being widely noticed.
  • A Feminine ForceA Feminine Force Shipmate
    edited September 12
    Nick Tamen wrote: »


    If it’s worthy of a plebiscite (which I don’t think it is, and at least where I live in the US would likely be a legal impossibility), then it was worthy of a plebiscite to ask whether it should be painted in the first place.

    It's sometimes better to ask forgiveness than permission. This is a victimless "crime".

    I'm certain that the People to whose property this paint was applied are aware of the millions of pounds in value such an artist's donation of work accrues to their estate.

    The more controversy, the higher the value.

    I think they know what they are doing.

    AFF
  • Nick Tamen wrote: »
    I'm sure people in America are supremely comfortable with, for example, graffiti on nuclear silos.
    Why are you sure of that?

    Around here, you don't get to daub whatever you like on a public building just because you claim to be a representative of "the people" who own it.
    You don’t get to do that in America either.

    Banksy is an actual artist whose work sells for millions. I think the best way to find out if The People would like to retain the value added to the edifice is to ask them directly.

    After all, it's not like some teenage gang banger tagged the wall.

    I think such an important work is an issue worthy of a plebiscite.
    If it’s worthy of a plebiscite (which I don’t think it is, and at least where I live in the US would likely be a legal impossibility), then it was worthy of a plebiscite to ask whether it should be painted in the first place.

    However, it is the ephemeral nature of street art to be temporary. To be scrubbed or overpainted. I doubt Banksy will care either way. I think if it's scrubbe it will say more about us than it will about him.
    I assume he counted on it being scrubbed. More publicity that way.


    Irony.
    What exactly do you think is ironic?

  • The American military are famously trigger-happy when it comes to protecting their nuclear silos.

    I used to know someone in the police at Greenham Common, which was a famous peace encampment outside of an RAF based used by the Americans to store nuclear warheads.

    This guy was a civilian and he said to me that the majority of his job was keeping the protestors from getting shot my the American military. The protestors would cut a hole in the fence and the British police would rush over there to stop them getting anywhere near the silos.

    The idea that the American military would allow graffiti on a nuclear silo is an example of irony because the American military would blow your head off long before you were anywhere close to it.
  • Nick TamenNick Tamen Shipmate
    edited September 12
    The American military are famously trigger-happy when it comes to protecting their nuclear silos. . . .

    The idea that the American military would allow graffiti on a nuclear silo is an example of irony because the American military would blow your head off long before you were anywhere close to it.
    Ah. Maybe, though technically I think it would be more an example of sarcasm or facetiousness than irony.

    Unfortunately, both sarcasm and irony can be lost when posting on a forum such as this because readers lack the cues provided by voice tone and facial expressions, and because the variety of cultural backgrounds of those participating can result in a lack of shared cultural contexts on which things like sarcasm and irony often rely.


  • peasepease Tech Admin
    ...At what point does your right to erect an ugly edifice impinge upon my right to a view that doesn't include your architectural posturing or lack of taste or lack of budget to implement your taste?

    We have enshrined property law as our god given right to own the land and express our individual or collective identites through the structures we build upon it. It's not just about the function of the creation, it's also about its location, form and ornament. Which is why the public is invited to comment on new constructions.
    Which they sometimes do by defacing them. (Often considered to be an improvement.) The British aren't entirely comfortable with shiny new buildings, as evidenced by our desire to preserve as many of the manky old ones as possible.
    If an edifice is owned by the people through the application of collected taxes, then who can say who has a greater right to embellish that edifice than those people?

    But this happened in England where feudal property laws and the rights of the Crown have precedence so, I guess until the republic rises, y'all are stuck with whatever you have, and Banksy gets scrubbed and jailed for damaging the Crown's property.
    Hiding behind the facade of a listed building...

    Come the revolution, first up against the wall will be a plethora of street art. And the market will tank.
    I'm certain that the People to whose property this paint was applied are aware of the millions of pounds in value such an artist's donation of work accrues to their estate.

    The more controversy, the higher the value.

    I think they know what they are doing.
    Alternatively...

    The primary purpose of the three branches of British Government is to maintain the established system of property ownership and preserve the value of property. Including art markets. I suggest the value of Banksy's work might fall if the primary target of his critique was seen to be complicit in the creation of his works.

    So it's not just controversy, it's the right amount of controversy - the tricky balancing act artistically successful critics must perform if they are to stay relevant. (While maximising their market potential.)
  • pease wrote: »

    So it's not just controversy, it's the right amount of controversy - the tricky balancing act artistically successful critics must perform if they are to stay relevant. (While maximising their market potential.)

    Well and it seems that the right amount of controversy has been achieved.

    Banksy's art can be performative. Vis a vis the painting that sold at auction and shredded itself right after the gavel fell. The shredded pieces are now worth so much more than the original work because of the statement made by the performance.

    The work in question has been scrubbed, but owing to the deliberately formulated special chemistry of the underlying black paint, what is left is a ghostly shadow of the original work, leaving us with the message that "Justice is a shadow of its former self".

    And soon even that shadow will be erased, and the message will be even more stark.

    Take a bow, Banksy. It's a perfect performance.

    AFF

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